I felt that Woolf was a much more honest writer than Orwell was, and he presented the dilemmas colonial masters faced in a much clearer light. Woolf highlighted the performative aspects colonialists had to play but at the same time, demonstrated to the reader his attempts at negotiating between the performativeness and truthfulness.
The four men “waded back slowly; the feet of the dead man stuck out, toes pointing up, very stark over the shoulders of the men in front. The body laid on the sand. The bearded face of the dead man looked very calm, very dignified in the faint light (95).
Woolf did not dehumanize the Arab man, did not try to impose strict binaries but rather his description of the man as ‘dignified’ touched me. Just when I had lost all faith in colonial masters as humans and saw them as just greedy and self-absorbed men, I’m glad Woolf came along to restore some faith in them. And I thought it was hilarious how he said he was ‘infuriated when I saw a rather unpleasant looking white man introduced into my room by the peon without my permission’ (129). Where he said ‘[t]he longer I was in
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hello
I share your sentiments about Leonard Woolf's humanism towards the natives. What I find problematic is that his sympathetic treatment and dignifying of natives is not as sustained as I would have preferred.
The death of the Arab pearl diver is treated with a sense of solemnity and integrity, but their stoical attitude towards death is similar to the passive acceptance of their colonised position.
I do give credit to Leonard Woolf for trying to strike a balance opinion in portraying Europeans and Natives, but I am somewhat unsatisfied with this silent acceptance, or fatalistic world view adopted by the natives.
Another thing is, he claims that he is not romanticising his narrative, that is something which i disagree with. Then again, where do we draw the line to mark the boundaries between romanticising, and not romanticising?
Check/check plus
But what is your faith exactly Yuen Mei?
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