Lingua [Franca] Siapa?

The exploration of language as it affects/ is affected by the colonizer and the colonized is one that is perhaps most interesting when we consider Joyce. While language is obviously a carrier of culture, the adoption of language in terms of colonial dynamics is perhaps most aptly captured in Fanon’s idea that “the Negro wants to speak French because it is the key that can open doors” (Fanon 38).

The language of the colonizer, indeed that that is foreign to the native language( British English to Irish in Joyce’s novel), is deemed as superior and the underlying need to survive in the colony ( or in the face of the empire) sees the native “ incarcerating a new type of man”(Fanon 36). Here we see the ideas of language as opportunity, language as professed through power and therefore language as a form of power to be partaken of.The link between identity and language is further confounded when we contemplate Fanon’s idea that “every dialect is a way of thinking”( Fanon 25) and that the native adoption of a “language different from that of the group into which he was born is evidence of a dislocation” ( Fanon 25). The complexity lies in the way the native tries to forge a new identity by acquiring the power of the new language, but at the same time renounces his own identity. What Fanon suggests is that the Negro/Native has “no culture, no civilization” (Fanon 34) to fall back on and so his native language is bankrupt of value in the opinion of the Western world( the colonizers)

What remains to be asked then, is who’s language is it really, this language of the colony? It takes on words of the native language/dialects, but is forcibly structured to that of the colonizers. Meaning in some cases remain constant, but take on different forms: Joyce’s novel sees Stephen wonder about how even in the existence of “different names for God in all the different languages in the world … still God remained always the same God and God’s real name was God” (CH 1). Lingua Franca becomes Lingua Siapa, in the imposition of foreign on the local(in the eyes of the colonized) and of the local on the alien( in the eyes of the colonizer).

If we take into account Stephen’s role as an artist and his struggle to forge an identity in a changing Ireland through language we are left to contemplate the implication of language on expression and identity.The power behind the imposition, accessibility and usability language then complicates itself in the forging of a new (colonial) identity.